![]() The idea of a “Data Thief” is a rich and powerful prosthetic that has been echoed, in some ways, by curators and editors like Sheree Renée Thomas, Reynaldo Anderson, and Nalo Hopkinson. The film used a character called “The Data Thief” as a time-traveling living lens that served as a guide through which the story and the journey could be unpacked. The film’s focus was around finding connections between Afrofuturism and the hybridized soundscapes of Black digital music production throughout the African Diaspora. In 1997, Black British filmmaker and scholar John Akomfrah created a short film called The Last Angel of History. A response by Lydie Moudileno will follow.Ī part of the 2021 Comparative Studies in Literature and Culture symposium, “(In)Visible Histories: Counterhistory, Race, and Visuality.”
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